Thanks to Pixotope, students will gain access to Pixotope software for crafting immersive content. They can utilize Pixotope's real-time 3D graphics engine to create high-quality AR and VR experiences for various platforms, including live events and film/television production.

Pixotope is aiming to change the game for virtual production education with the release of Pixotope Pocket. The iOS app enables students to create immersive content anywhere they can take their phone.

Introducing Javier Reyes, the product program manager at Pixotope, who passionately shares his love for working in an industry that enables people to relish extraordinary experiences. He also emphasizes the constant learning opportunities that arise every day, making his work even more fulfilling.

David Dowling of Pixotope gives Creative COW the inside story ahead of today's announcement from the NAB 2023 showroom floor. David presents Pixotope Pocket, an iOS app that will allow users to create a virtual stage at home or in the dorm.

New mobile application enables students to use their mobile devices to produce immersive creative content with virtual production.

Virtual-production platform Pixotope on Wednesday will release a mobile app that allows students to produce immersive video content using just their phones. 

Join Raafi Rivero from No Film School in an insightful conversation with Ben Davenport, representing Pixotope, as they delve into the world of virtual production. Discover how Pixotope takes a unique approach by focusing on augmenting reality rather than creating a whole new world. 

During NAB 2023, we had a conversation with Marcus, the CEO of Pixotope, discussing the emerging trends and advantages of virtual production. We delved into how virtual production is reshaping the media industry and explored Pixotope's approach to this transformative technology.

The media production industry is evolving rapidly and virtual production enables us to deliver immersive experiences that captivate and thrill audiences like never before. However, such groundbreaking progress prompts the question: "What's next?" 

Kate Watson from Pixotope discusses the opportunity her job offers to delve into significant virtual production projects and emphasizes the present as an ideal moment to participate in the media tech industry.

Allow us to introduce Gideon Ferber, the senior product director of motion and production graphics at Pixotope. Gideon highlights the beauty of the broadcast industry, where individuals from diverse backgrounds with unique experiences can come together and excel at their work, contributing to an awesome collective outcome.

The appointments of Clarke Uren and Kate Watson fulfill key sales positions in the U.K. and Ireland while also servicing emerging virtual production markets.

With pandemic conditions contributing to demand, the widely shared view is that virtual production is taking off much quicker than expected. But that doesn’t mean that there isn’t plenty of work to be done in ensuring the industry has the necessary skillsets and facilities.

Pixotope and Unilumin have collaborated to develop specialized XR solutions tailored for the broadcast industry. Through this partnership, the companies offer an advanced XR solution packaged as a convenient and easy-to-implement turnkey solution.

Pixotope is excited to announce that the University of Gloucestershire’s School of Creative Industries has joined the Pixotope Education Program. This program is aimed at fostering the development of future Virtual Production talent at the collegiate level while also building a supportive community.

Virtual production has emerged as a buzzword in recent years, but its roots can be traced back to early cinematic techniques and the advent of digital editing. How is it revolutionizing media production across various industries?

Carina Schoo, Manager of the Pixotope Education Program, emphasizes the company's effort to forge alliances in academia and media to tackle the shortage of virtual production expertise, fostering community engagement.

The company’s Pixotope Camera Tracking solution, which utilizes all types of tracking methods (mechanical, marker-based, and through the lens), has been used in many broadcasts, exhibitions, and sports events. Now, the company is taking its technology to the sky with Pixotope Fly.

Pixotope has introduced Pixotope Fly, a cutting-edge camera tracking solution designed to streamline the process of creating and tracking augmented reality (AR) elements using drones and cable cameras. 

With Pixotope Fly what once needed a helicopter and Hollywood blockbuster-caliber post-production can now be achieved with a single software solution in real time. 

Integrated system combines AE Live’s expertise in on-screen graphics, data and augmented reality with Pixotope Camera Tracking technology.

Broadcasting tools are expensive and ever-changing. Camera tracking is complex. The industry faces a severe talent shortage. What does the future hold for broadcast? Pixotope feels they have the answer.

The rapidly evolving industry has increased demand for VP roles, creating opportunities for newcomers and established professionals. This article highlights key VP roles and provides tips for breaking into the industry.

Pixotope's newly launched Education Program caters to virtual production students, granting them access to essential software and tools. Additionally, the program fosters collaboration between universities and colleges and connects them with experts from the Pixotope community.

Discovering the advantages of virtual production, studios, and content creators are increasingly embracing this innovative approach. If you're looking to get started but feeling overwhelmed, here's a concise step-by-step guide to help you dive into virtual production. 

In this interview, we delve into the exciting world of XR, AR, and Mixed Reality with Ben Davenport, VP of Global Marketing at Pixotope. 

Pixotope partnered with production company Space Warp Engine studio (part of That’s It Media) to scope out possibilities for the first season of an experimental virtual character talent competition 2060.
The 10-part series aired on China’s Jiangsu Satellite TV, the third-largest Chinese network.

Virtual production (VP) in media and entertainment is predicted to nearly triple by 2028, growing at a rate of 15% annually. Beyond being a mere trend, virtual production is proving its worth to creators, audiences, and marketers. What insights are we gaining from this?

With pandemic conditions contributing to demand, the widely shared view is that virtual production is taking off much quicker than expected. But that doesn’t mean that there isn’t plenty of work to be done in ensuring the industry has the necessary skillsets and facilities.

Virtual production is gaining popularity as a trendy term. Driven partially by the pandemic, we're witnessing a substantial rise in virtual production facilities being constructed and the adoption of virtual production technology in various productions. However, what does it entail?

But, what does ‘virtual production’ mean? And how do we get the most out of it? Consider this your introductory guide…

During the live broadcast of the French Football Cup final, the Stade de France was transformed into digital recreations of Paris and Monaco, seamlessly integrated through the collaboration between Pixotope and XD Motion.

In a groundbreaking move, Pixotope revolutionized the 2021 Singapore National Day Parade by integrating cutting-edge augmented reality (AR) technology into the televised event. Partnering with Anomalyst Studio, the show employed mesmerizing visual effects that seamlessly merged the boundaries between the real and the virtual.

Sam Leadsom, VP for global business development in sports at Pixotope, tells Broadcast Sport about the future of mixed reality in sport. 

The idea of creating a live virtual studio using just a PC and a GPU seemed far-fetched, but Pixotope defies expectations with its impressive utilization of affordable computer power and ingenious software. Can it be labeled as a paradigm shift and living up to the claim? 

Discovering the advantages of virtual production, studios, and content creators are increasingly embracing this innovative approach. If you're looking to get started but feeling overwhelmed, here's a concise step-by-step guide to help you dive into virtual production. 

Pixotope is essentially comprised of seasoned professionals who have spent years honing their skills in visual effects and production. This underlying foundation drives our motto of 'By Creatives, For Creatives,' highlighting the strong bond we have with the creative process and how it constantly serves as a direct source of inspiration for our endeavors.

The mixed-reality platform, Pixotope, enabled French broadcaster TF1 to present innovative and captivating live coverage of the French municipal elections. The imaginative design allowed the implementation of augmented digital scenery without the need for a large or green-screen studio.

In its coverage of the 2020 MLB season, Fox Sports introduced a unique approach to address the absence of fans in stadiums: the incorporation of digital fans. This innovative solution serves a dual purpose - to create the illusion of filled stands during MLB games and to establish a foundation for the integration of augmented reality in live sports production.

The opening ceremony for the esports finals features a real-time AR gaming character being interviewed and joining a dance troupe on-stage.

The idea of creating a live virtual studio using just a PC and a GPU seemed far-fetched, but Pixotope defies expectations with its impressive utilization of affordable computer power and ingenious software. Can it be labeled as a paradigm shift and living up to the claim? 

Pixotope has announced the inclusion of TrackMen in its product portfolio, marking a significant advancement for the media industry. This acquisition combines a comprehensive virtual production platform that encompasses graphics, camera tracking, and talent tracking into a unified product.